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Album Reviews Articles

Review: The Gleaners – “Western Shine” EP

by Nathan Cardiff Western Shine, the EP release from The Gleaners, is a moody punk record with just the right amount of bluesy rock mixed

Album Reviews Articles

Album Review: BUMMER – “Milk”

by Nathan Cardiff Thrashy, sludgey, and buzzy, BUMMER’s brand of rock and roll will have your teeth shaking loose when you play them loud enough.

Album Reviews Articles

Album Review: Something And The Whatevers – “We Sold Our Souls For Wicked Lulz”

by Nathan Cardiff Come on guys, you already have one of the best band names around, now you gotta have one of the best album

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Merlin – “Execution” Single

by Nathan Cardiff The western tinged opening to “Execution” sounds like the sun beating down on a desert where two gunmen have met to duel.

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Rev Gusto – “Still There” Single

by Nathan Cardiff The Too Much Rock Singles Series has now released Vol. 2, featuring Kansas City outfit Rev Gusto. Their A-side single “Still There”

Album Reviews Articles

Album Review: Hello Biplane – “Line”

by Nathan Cardiff Beautifully folky Hello Biplane have delivered a fantastic record upon us this Spring. The airy, bouncing tunes feature a terrific tinge of

Album Reviews Articles

La Guerre – “Rare and Collectible Spirits”

by Nathan Cardiff After her two EP releases in 2013, it seemed that Katlyn Conroy could move into two distinct directions (or frankly any direction

Album Reviews Articles

Review: Forrester – “Antithesis” EP

by Nathan Cardiff Forrester’s brand of instrumental rock carries us away from all our problems, stresses, fears, and burdens. This isn’t background noise or the

Album Reviews Articles

Review: Rooftop Vigilantes – “Last Call On Neptune” Single

by Nathan Cardiff Rooftop Vigilantes thrashy, buzzy garage rock is tearing 2014 in half. Their latest single “Last Call on Neptune” has snapping drums, wild

Album Reviews Articles

Album Review: Bad Kids To The Front – “I Don’t Want To Go Insane”

by Nathan Cardiff A short seven months have passed when I feared for the future of Bad Kids to the Front, Drew Smith’s avant-garde experimental