Lawrence, Kansas
- 27 July, 2024
The Roseline release live album recorded in Norway
For reasons we still don’t quite understand, The Roseline is a hit in Nordic countries. When they’re not winning over audiences in Lawrence, they’re on
“An Act of Service.” Steve Poltz bringing long, storied career to the Lawrence Arts Center
When we rang up Steve Poltz earlier this Spring, he had just woken up to some fun news. His inbox was flooded with friends sending
Killing It: Killith Faire to feature lineup of wild women
It’s not hard to find accomplished women and femme-identifying performers in the regional scene. That’s why when Kristin Conkright, of Frogpond, started organizing Killith Faire
Listen: The Roseline releases new protest song “Hang ‘Em High”
Lawrence loves a good roots band, and The Roseline is one of those leading the charge. But their latest album, Keystone of the Heart, takes
“A musical Pompeii”: The Darkness’ Frankie Poullain on 20 years of their detonative rock and roll
There’s a reason I Heart Local Music never misses a show with The Darkness. The British rockers bring a class of rock and roll to
Trans artists and drag performers band together to connect LGBTQIA+ artists to the community
When trans musician Jocelyn Olivia Nixon, of The Creepy Jingles, saw anti-trans bills sweeping one legislature after another in this country, she felt what a
Lawrence musician tackles comedy and mental health in new musical
It’s pretty easy to dive head-first into the arts in Lawrence, Kansas. You can play music, spend time onstage at the theatre, or even find
Cuban-American fronted hardcore band gearing up for Kansas City show
A peer recently pointed out to us how rare it is to come across longevity in the hardcore scene, but one Kansas City band is
Local music takes the spotlight in upcoming Burlesque show
There’s nothing we love more than when art scenes collide. This Saturday at the Replay, the worlds of burlesque and local music will slam dance
Cutting Ties: Heidi Gluck releases calculated and intense new music
When we first gave Heidi Gluck’s new album Migrate or Die a listen, it felt like a familiar dark shadow. We’ve known this feeling before, the
