The Granada
This week our crossover series with the Larryville Chronicles comes to a close by taking a look back at our fondest memories at the Granada. In the past, we’ve discussed our favorite shows at some of the most popular venues around town, including the Bottleneck, Liberty Hall, the Taproom, the Replay, and the Jackpot. The Larryville Hipster’s favorite Granada shows are listed below, and you can find ours over on their site. It’s been a pleasure working with you, gentlemen.

Concert Memories: The Granada

 
by Richard (and Chip)
 
I remember the Black Keys, their second LFK appearance, a set so scorching it‘s a miracle the joint didn’t burst into flames. 

I remember my old buddy Mark raising holy hell because he had to wait in line so long to get into a show that he missed an opening set by Split Lip Rayfield.  I remember Nashville Pussy (Chip:  “Easily one of the great band names of all time.”).  I remember Lou Barlow having a drink at one of the tables prior to a Sebadoh show. 

I DON’T remember the legendary Strokes show, right after their first album hit, because it was right before a holiday and I was out of town (I should totally have skipped Thanksgiving for that show). 

I sort of remember seeing Yonder Mountain String Band once, but I was pretty fucking drunk that night.  I remember Wanda Jackson tearing it up last year. 

I remember the triple-guitar attack of the Drive By Truckers, with opening act Bettye Lavette: what a great double-bill!  I remember Elliot Smith rocking a searing version of “Don’t Fear the Reaper” (RIP). 

I remember that Grandaddy opened the Elliot Smith show, another terrific double-bill. 

I remember the first time I saw Ssion, opening for the Yeah Yeah Yeahs (Chip: “I was absolutely baffled by Ssion.”). 

I remember being far too old to be at the Iron and Wine show with all the youngsters who must have just discovered them via the festival circuit:  great show though. 

I remember singing along with Todd Snider, one of the most engaging performers you’ll see but one who doesn’t seem to stop in LFK that often. 

I remember LFK’s Olassa opening up for the Dave Rawlings Machine (featuring the great Gillian Welch). 

I remember my first time hearing Vic Chesnutt (RIP) sing “In My Way, Yes.” 

I remember, just a few weeks back, buying tickets to this September’s GBV show.  That should kick ass.  See you there.

by Richard (and Chip)

Share:

administrator

Fally Afani is an award-winning journalist with a career spanning more than 20 years in media. She has worked extensively in radio, television, newspapers, magazines, and more.

1 Comment

  • Dusty Dean, August 9, 2012 @ 11:14 am

    Back in 1996 or 1997, I won tickets to see “Cake” at the Granada from KLZR when they were an alternative rock station. If I remember right, the opening band was a group from San Francisco called, “Diesel” and the local opener was “Danger Bob.”

    My friend Dru and I were both much more excited to see “Danger Bob” than “Cake” but with the excitement of winning tickets on the radio, we dashed from Topeka to Lawrence to pick up our prize and catch the show. We didn’t want to miss a minute of “Danger Bob’s” set and I’m glad we didn’t.

    The Granada was only about a quarter full when “DB” took the stage and started playing their hits like “Just Call Me Ninny” and “Hook” but there quickly was a shift in the Granada that was electric. You could feel the change in the atmosphere as the music brought in minglers from the bar area and smokers from outside to see who was putting on a show and “selling it.”

    I had never seen “Danger Bob” live before but they were putting on a polished and energetic performance that would put much larger bands to shame. I’m sure the band was hyped to be on the same bill as “Cake” and their energy was infectious.

    As the set came to a close, the lead singer disappeared back stage and quickly reappeared with a smirk and a potato cannon. The barrel waved over the audience as the band played faster and faster while concert goers ducked from the threat of being shot with a spud-gun. As the last note from the song stuck, the house lights were cut and a flood of glitter and strobe lights shot from the potato gun, hosing the crowd in a wave of sparkles. When the house lights came back on, I was sweaty, covered in glitter, and in awe of one of the best shows I have not only seen, but felt.

    Cake came on later and stood still while they played their songs and talked about their new CD.

Leave a Reply